1. How and when did you get hooked on history?
My high school American History teacher, Ms. Lani Dunthorn. She was passionate about her
subject and, before the term “individualized instruction” was used, employed exactly that
strategy. I remember being bored to tears by our classroom history textbook and not completing
the assigned readings. She offered me the option to read Margaret Mitchell’s Gone with the
Wind instead, with some ancillary research activities to determine what was fact and what was
fiction. Brilliant!
2. What role does history play, or has it played, in your personal life?
I am an immigrant from Cuba, coming to the U.S. in 1966 under the Immigration and Nationality
Act of 1965 signed into law by President Johnson. Like many immigrant kids, I served as both a
linguistic translator for my family as well as a cultural mediator. What I would learn in school, I
would later teach my parents at home. We became American citizens on July 4, 1976, the U.S.
Bicentennial. History is part and parcel of my and my family’s personal and professional
journeys.
3. How does history play a part of your professional life/career?
I earned a Bachelor’s in Social Studies Education from the University of Miami, followed by
Master’s and Doctoral degrees in Social Studies Education from Florida International University.
Each of these degrees focused on the curriculum and instruction of the social sciences, with
history at the core. My programs of study all required courses in history --- world, U.S., Latin
American --- and I have continued to weave these learnings in my work, both in the classroom
and in publications.
4. Why is studying/knowing history important?
People from all walks of life must know not only their own history, but that of others. How can we
be part of the human race without this knowledge?
5. What is your favorite period or aspect of history to learn about and why?
Such a tough choice to make! I guess I would have to say the U.S. Civil Rights Era. Although I
lived through it, I was a child at the time. I remember being confused by so many events and
people (especially since I was not yet fluent in English and my parents could not always help me
understand). So now, learning about that period helps me make sense of those memories and
brings me back full circle.
6. Your “day job” is as a professor of social science education. What are particular challenges
that you see facing your students in 2024 as future social studies teachers and how do you
prepare them to be great teachers?
The future (and current) social studies teachers I work with report so many distractions I never
had to face as a novice teacher. Social media and the rise of misinformation is a huge problem
among young people. I try to help teachers teach critical media literacy to their students.
Educators are also facing encroachment by politicians and community groups, resulting in harsh
curricular mandates that are not always in the best interests of students or teachers. I always
remind my students that ultimately, they are curricular and instructional gatekeepers,
professionals who have agency in their classrooms.
7. Your books include a history of the Cuban sandwich and an award-winning children’s
biography of César Chávez. What kinds of stories pique your interest as a researcher and
author?
I love the idea of revealing “hidden histories.” My first book for young people was a biography of
the Mexican artist Frida Kahlo. It’s hard to imagine now because she has become a cultural
icon, but when I started the research in 1994, she was little known in U.S. popular media. Since
then, I have written books for both young learners as well as teachers. My work also allows me
to explore and publish scholarly works on a wide variety of topics such as teaching English
language learners, the history of segregated beaches, using visual art to teach about social
issues, and the history of LGBTQ communities within the larger historical context.
The Cuban sandwich book has been a fun project and my co-authors and I thoroughly enjoy
introducing people to one of the hallmarks of my culture.